As we were leaving Islamabad, it was almost maghrib. I had been dreading the long journey ahead. Tedious hours of just sitting in a car! Drivers everywhere, travelling, travelers, stressed about their destinations. The road between Islamabad and the M-2 was still under construction. For a split second, my gaze wandered to the sky. The split second turned into aeons. It was a watercolour painting. A perfectly blended painting; yellow gradually fading to pale yellow, pale yellow turning to a forget-me-not blue. Red streaks across where the clouds were closest to the sun, reflecting fury and rage. Grey streaks above the red, where the clouds were impermeable to the ferocity of the sun. A tiny silver crescent just beginning to peek out shyly.
Amongst angry drivers and big machines drilling away noisily, there was a calm. Amongst the chaos that is found on these roads on a Sunday night (as people return after the weekend), there was a sort of serenity spread out on the world. For a moment, I forgot my stress. Everything that had made me so tense this weekend, and that everyone had told me to let go of, I now realised was worthless. I “lived in the moment”, as my sister had been telling me to. Traveling never brought out the best in me, but today nature itself brought me relief. My face relaxed. Although there was no one I had to convey my joy to, although all this was just a feeling in the very depths of my heart, a tiny smile took over. Since winter departed two days ago, and spring had not yet entirely come, the trees were still dried up, leafless, lifeless. Perfect against the backdrop of the sky, a postcard.
We were now on the motorway. The red streaks were fading away as the blue slowly took over. Here, trees lined both sides of the road. The trees had leaves. Green fields spread out for miles on every side. It like was one of those expensive paintings one would expect to see in a huge victorian mansion. It was getting dark. The sky was always the hero. Trees silhouetted against a sky so intricate. Sometimes a hill came, sometimes a huge rock outlined against the sky, all seeking attention, all failing against a sky so beautiful.
Every second looking out of a moving car changed the scenery. Every second the sky and the fields and the silhouetted trees made a new masterpiece. Every second it showed the craftsmanship of the One behind it.
It was Him. Allah. He was the Artist. He was the Art.
The shy crescent now shone quite boldly. The red disappeared entirely, the wrath of the sun wrapped up by the gentle blue of the night. In the distance I could now see lights; villages and small towns located at intervals. Eventually the light blue turned to a rich, royal blue which had no place for yellows and oranges. Only the silver of the moon or the distant stars could conquer a sky so overpowering.
It was strange to think of this sky. The same sky shone over refugees, over starving, diseased children, over mourning mothers, over depressed and oppressed people. The same sky shone over crime, hate, injustice and intolerance. And yet, it was this same sky that painted a picture for me, for my peace, stretching for miles and miles across. It was this same sky that inspired poetry.
And I rested my head against the window; once again worries returning to my tired head, dreading all that was to come, the night clouding my thinking and wrapping around my head.