Candy Wrapper

A ten year old boy holds the hand of a six year old girl. His sister, presumably. He has hazel specks hidden in the brown of his eyes. His hair is dirty from playing in the dirt all day. He wears a light blue shalwar kameez. He is smiling, and although his face is dirty, one sees the innocence in it. Now he gets angry, pulls his little sister towards him with a jerk. She had been trying to break free from her brother’s grip. The boy sees the cars along the road, he cannot let his sister be in any danger. Amma told him to take care of her. The girl protests in a loud voice. She has eyes identical to her brother, her hair equally dirty, her face equally muddy. She wears a traditional colourful shalwar kameez, which has tiny mirrors and stones sown into it. Right now, she is scowling. Trying hard to break free from her brother. Why doesn’t bhai let her go free anyways?! A six year old mind cannot fathom the dangers of a main road. He brother sees he has made her angry. He had been saving it for after dinner, when amma would put them to bed and then leave, but figures now is the time.


A little down the main road, a fancy politician sits in his black prado, amidst security escorts and protocol. He is to make an appearance at the local hospital, which had been sealed for the day. In one hand he holds a cigarette, which gently bobs up and down with the motion of the car on the bumpy road. He has a bored expression on his face, a thick black moustache with his thick eyebrows making him constantly look like he is scowling. His security officer briefs him on what must be said and done in the hospital, which wards he must visit, what expression he must have when the camera’s on him. The sirens of a security jeep continuously sound in the background. Three vans containing media personnel try to overtake the black prado, but fail to do so. Men from the security jeeps yelled at the drivers of the vans, threatening to report them to the Saab.


“O dekh! Gaddiyan jandi. (Look! The cars are going)” He said excitedly to his sister.

“Kitthe? (Where?)”

“O dekh na! Uthe.( Look! There)”

His hand had reached the bottom of his pocket. Out came the cheapest candy he could find, the two-ruppee-orange-flavoured candy.

“Ae le. Tere wastay. (Take this. It’s for you.)” he said.

Her eyes beamed with joy. She quickly snatched it from his hand.

The cars were coming nearer.

She let go of his hand. She opened the wrapper, and popped it into her mouth. She threw the wrapper in the dirt.

“Wekh ke guddi. (Be careful/look Guddi),” he warned her.

She was skipping now. Skinny six year old legs adorned with a baggy shalwar, skipping along the road.

“Oye Guddi!” He yelled, “Guddi! Gadiyan aandi pai(the cars are coming)”

It was too late.


The body of a young girl, the hysteric sobs of a brother, the nineteen cars speeding away that constituted the protocol and security of the fancy politician, the indifference of the politician and his subordinates, the lack of interest of the security personnel.

The Candy Wrapper that lay in the dirt.


Another writing prompt completed!

Check out the October Writing Prompts here:

https://zoyakubra.wordpress.com/2017/09/23/october-writing-challenge/

Advertisements

Hey there! Pt. 2

Take off your shoes. Don't worry, this is dirt, but it's clean dirt. Like the Earth. The un polluted, pure parts of the Earth. Walking on this will actually make you feel better. So anyways, come on in, lonely soul. Yes, we have established the fact that you might not be a lonely soul. But if you are one of the rare people who have found their soulmate, please hold your tongue. You wouldn't want to offend your host? Especially since you are in the host. I mean in my brain. But here we are, and off we go once more on the tour.
So I know last time our goodbyes were a bit rushed and abrupt. What can I do? Management had a fit. Management was still so against having you over again. But what can I do? I had to.
So that's the path we took last time. This time, Management told me to lay out the rules before we went inside. I know, tedious. Anyways: just don't touch anything, ESPECIALLY A MEMORY, and keep to the path. Stick with me because trust me, you do NOT want to get lost in here.
So I thought I would take you to the Insomniac Sector. This is where I am when I can't sleep. You might find that this is covered with crazy colours, but that's just how it is. So come over here. You see this tube? It's like a tunnel but I don't think anyone can fit down here (even if you are skinny and small enough don't try it) but this is also the most unfortunate connection. This connects my brain to my legs. In other parts, similar hollow tubes connect my legs to those other parts. So basically, when I can't sleep, I get this urge to move my legs, hence the tossing and turning. Moving on, we can see over here how the Bad Memory Sector is linked to this part too: every stupid and cringy thing I may have done or said is revisited and re-evaluated. As you can see: the Over-Analysing Sector is also connected. The Fear of The Unknown and The Fear of the Near Future are also located behind that black box. The Fears are actually part of this Sector and we just provide connections when they are required in other Sections or in other times. I can't open this black box in your presence. I'll tell you what it contains: an overwhelming concentrated colour fusion. Opening this will keep you awake for hours, until you feel as if you are loosing yourself and your soul into this. After that the Colours will trick you into the Void. Here, the Void will strip you of your identity and defence. The Void will strip you until you are raw and bare and then it will target you with everything you have ever avoided or defended yourself against. You think you're so smart that you can just choose to not go into the Void? Do you not know of the sinister nature of these colours, enticing you with their ways, luring you in into a seemingly merry world and then… The Void. Many a man has lost his sanity here. You remember when I took your coats at the door? I didn't just take your coats. I took away your material existence. So take a look at yourself. What are you? A bare soul. Vulnerable. So the only material existence here is the one that I possess. Nevertheless, let us continue!
Any questions? No?
Your sanity?
My sanity? You see, this is my brain. My brain is the guardian of my sanity. So yes, I have been in the void, and yes, I have survived it.
The insomniac Sector gets its own access to the Eyes. You know the little innocent light of the street lamps outside which slips in through the tired old curtains and dances on the ceiling? My brain stares at the light until it reaches the intensity of the Sun and becomes unbearable. Aah the connection with the ears: this is what makes me think that my brother breathing in his sleep sounds like a train going around in my head, whistling away in my ears.
This is the overall-over sensitivity of the entire body: usually, I can sleep anywhere no matter how hard or soft it is. But in insomniac times, the slightest bump feels like a huge knife trying to pierce my skin.
Over here, this is the Past and opposite this is the Future. I spend a lot of time inside these rooms. The space in between is (quite obviously) the Present but I guess during Insomniac times being in the present gives me anxiety, even though the anxiety is in anticipation of the future….
So here we are in the Conversation Room. Here I go through any conversations I may have had, online or offline, and think how I could've answered differently or said something wittier if only I had taken an entire insomniac night to think before I answered. Not that there's something wrong with what has been said. But what's an insomniac night without over-analysing and worrying about something completely useless and unproductive, right?

Anyways. I don't want you to start thinking you know everything about me or atleast about this Sector. There's lots that has been left unsaid. It's safer that way. That's the door right there, if you want you can leave, if you want we can have a coffee or something. It's up to you but I won't show you more. I think this is enough for this time.
So what do you say? Coffee or "Rab Rakhan"?